banjo headstock identification

You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/276603. 292 Old Banjo Stock Photos, Images & Pictures - Dreamstime 2. In fact, he was part of a team of scientists paid as consultants by Gibson for their input on a project to create the finest sounding guitar based upon sound scientific logic, theory and research. First published as a folk music magazine in 1971 by Michael I. Holmes before going online in 1997, Mugwumps is a no-frills, highly informative site that's packed with well-written articles, detailed photographs, and historical ads of old instruments and parts. Unfortunately, the information is confusing and inconsistent. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). Factory Order Numbers (FON) in the 2600s to 2700s. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. Known Problems with Gretschs Serial Number System: Due to the various renumbering schemes, there are Gretsch-built Bacons and B&Ds with 3 digit, 4 digit and 5 digit serial numbers, which confuses identification of instruments made between 1910 and 1940. CLM, Classical guitar with mahogany back and sides. Gibson had helped in the war effort and seen many employees enlist. The 5th string is a crucial distinguishing characteristic of the five-string banjo, both in the instrument's appearance and in the sound of the music. The new design was thinner and much easier to handle and play. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. For example: B&D had several un-numbered models between 1913 and 1920. Serial Search - Gibson Buckbee (1861-1897) banjos can frequently be identified by their The fingerboard of the L-5S is in with select abalone. It is most common after 1923 when most Gibson model As had this shape. The first number of the sequence indicates the decade of production, followed by the three digit day of the year, and finally the year. For example, one head might sound right for one player on a five string banjo, but be disappointing on another players tenor banjo. Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. The one delivered first to Ray Whitley was not the model now seen as the beginning of the Super Jumbos, but a simpler 12 fret version. Sounds great and the instrument is very easy to play. Edited by - mikehalloran on 12/27/2013 17:30:00, Charles in SC - Posted-12/27/2013: 20:38:42. Example: U8034853 U = Unsung, 8 = 1998, 03 = March, 4853 = manufacturing number. Bridges: Ebony Sometimes with a flattened pyramid rectangular bridge shape. Gibson Banjo Serial Number Factory Order Number Information; Pre-war banjos, Flathead, Mastertone. The name variations included Bacon and Day and B&D for all the instruments co-developed by Fred Bacon and David Day. This was available in brown, black or blonde finish. In some cases, teachers would It took Gibson 2 years to develop their response: The Jumbo of 1934. Dr. Michael Kasha was a chemical physicist and the director of the Institute of Molecular Biophysics at Florida State University. The Gibson Company was formed in late 1902 and the early mandolins evolved from the original Orville Gibson designs. Each model of the Mark Series was available in natural or sunburst finish. These appear to be the easiest to find and quite reasonable to buy. 1940: #1 or #001 to 1965: approximately #84xxx. Bound rosewood fingerboard with small fret wire, clamshell tail piece with Morris inscribed. LoPrinzi Guitars Plainsboro, New Jersey AMF years (serial numbers: high 3,000 4,000s) Tom LoPrinzi was still with the company. Following many prototypes, shapes and bracing patterns, the Mark Series was launched in 1975. The 1934 was single bound, front and back with dot markers on the rosewood fretboard and a horizontal script logo inlay on the headstock. The back and sides were still mahogany but the Southerner Jumbo had a dark wooden stripe separating the 2 back pieces. JM, jumbo size guitar with mahogany back & sides, chrome tuners. Other Banjo-Related Topics 67 Banjo Headstock Designs ideas | banjo, guitar inlay, mandolin The financial strain became too much and the company sold in 1940 to Gretsch. $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. Steel Guitar. Introduced August 1942 and J-45s are still available today. It was available with a Snakehead and had a shaped fingerboard extension. The saddles were wider than usual. Gold War era logo - This type is called "Banner logo". They were mahogany back & sides with single layer binding front and back. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. The sunburst finish was generally $30 less than natural finish. Size 3 Gurian, either acoustic or amplified. After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. I own the book and have found it to be an invaluable resource in identifying these old guitars. Vintage Kay Company Banjo - Need Help Identifying Model - Discussion Timing is everything In 1969 the Gibson parent company: Chicago Musical Instruments (CMI) was acquired by the South American brewing conglomerate: E.C.L. 615-264-4959. It also had a black veneered headstock (front and back) and a black inlay in the back of the neck. In 1935, binding was added to the fretboard. I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. Augustino LoPrinzi has developed a fine reputation for classical guitars, ukuleles, steel string and 12-string guitars. Silkscreen logos - Low end models. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. Music Love. The 1975 price was $549. It appears that they experimented right up to the point of discontinuing the line. Thanks for any assistance you can provide. side of the top of the peghead (see last set of pictures below). Mark Johnson; Regular Hours Mon-Fri: 10:00am-4:00pm Extended Hours January-April 8:30am-5:00pm; 239 West 400 North, Lindon UT; 801-785-3161 See Martin Serial Numbers for a dating information. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. The fingerboard typically has inlays made of silver or steel. Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. LoPrinzi Rosemont, New Jersey built by Augustino LoPrinzi (and apprentices) with Augustino on the headstocks. Naming the parts of a banjo. 118 Midtown Ct # M RB -- regular banjo (5-string) TB -- tenor banjo. Also, the first batch of J-45s had more binding both on the body and soundhole. By the end in 1985-86, Gibson was basically down to the Les Paul model alone. In mid 1944 bookmatched two piece Sispruce tops reappear. He was also a guitar enthusiast with a passion for physical and psycho-acoustics. To confuse matters, they also manufactured Bacon banjos that had been developed by Fred Bacon: the Professional, the Orchestra and the Blue Ribbon. 340 Rosewood back & sides, MOP, colored wood appointments & a Tree-of-Life fretboard inlay. 30, 1909. Prairie State instruments have the patented rod and/or tube reinforcing, occasionally found on other Larson built guitars. The space between the headstock center and the top of the lathe bed is the radius of the lathe swing. So, take a look and . ARIA 921C. For sale for $50 cash, firm. You have your choice of 3 different peghead shapes. Identify vintage banjo fleur de lis inlays on headstock & carved heel . The hardshell case had a green or red silk lining. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. Rated 5.00 out of 5. Style Designations (There are many exceptions to the following). Starting in 1977, Gibson adopted the current date-based serial system which codes for the year and day of production. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. The headstock had a black wood face veneer. Gator GL-BANJO-XL Banjo Light Weight Case - $50 (Lynnwood) Please see the, Epiphone: Current Serial Number Information, Gibson J-35 & Advanced Jumbo Flat-top Acoustic Guitars, Gibson Jumbo Deluxe and J-55 Flat-top Acoustic Guitars, Gibson J-45 and J-50 Flat-top Acoustic Guitars, Gibson Southern Jumbos and Country Westerns, Gibson J-160E Flat-top Acoustic-Electrics, Gibson CF-100 Flat-top Acoustic-Electrics, Gibson MK Series Flat-top Acoustic Guitars, Gibson L-5S Solid Body Electric Guitars, Guitars & Stringed Instruments General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins, 41530 Transition from 12 to 14 fret necks, 1 Banjos from various contracted builders, 2028 Earliest reference to Forrest Dale VT, 30620 Symphonie, Sultana, and Senorita introduced, 35341 Gretsch purchases Fred Bacon Banjo Company. PDF Gibson Banjo Construction Evolution Martin Guitars seemed to take note of the successful sales of the Gibson acoustic-electrics J-160E and CF-100Es. Weekly newsletter includes free lessons, favorite member content, banjo news and more. CUSTOMER SERVICE. The intent is to provide a rough dating guide. Gretsch was contracted to make banjos for them. The Southerner Jumbos were the most expensive flat-top guitars Gibson offered at the time. If you have additional information or corrections, please contact us. middle-sized, chrome tuners. Gibson Headstock Logos thru the years in Pictures Though you were told there was only12 of this model made, it will not be any more valuable than if there 10,000 made. 1946 onward: No feet the bottom of the bridge flush on the instrument top. Gretsch appears to have started a new numbering system at about that time. Vintage banjo from 1920s to 1970s - price guide and values - Carter's and many were left unmarked. The 1975 price was $439. Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. It is not clear how many were made, but it is likely that there are less than 12. The centerline of the neck had the black inlay. Gibson headstock logos | My Les Paul Forum 1959: Larger crown frets and the adjustable bridge. It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. I have an open back banjo with a number 44 stamped in the ring, and May 2, 1899 carved in the support on the backside. Vega Banjos - Deering Banjo Company Banjo Head Types and Descriptions - Deering Banjo Company Banjo Headstocks - Pinterest string peg perch is typically carved out from the side of the neck as shown Ironically, the script logo on the headstock was old-style. It had binding on front, back, soundhole and the fretboard; The Gibson inlaid into the headstock and a better grade of spruce top. 1970 onward: 1 piece maple. Find the worth of your vintage banjo from 1920s to 1970s. which do not feature a paper label. The guitar designs, however, were not the problem. Fairbanks & Vega banjos, Dating & Identifying - Mugwumps 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. Plectrum. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. (Folk Jumbo Natural and Folk-25). The exceptions were in 1979/1980 when the very fine Flying VII and active Les Paul Artist models were available; both were between $50 and $100 more, and were deleted almost as quickly as they dbuted. Headstocks say LoPrinzi. To most people all banjos look (and sound) the same. Headstocks say LoPrinzi. They did provide paper labels for the instrument that they represented but did not provide labels for custom instruments or other shops or manufacturers. The exceptions are those guitars sold by Selmer in the UK which will (probably) have a number stamped into the back of the headstock and guitars sold by Van Wouw in the Netherlands.

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